








“ “I have put my soul into this work (Blood Wedding), I have put my heart and my hands into it.” ”
Lita Cabellut
ARTIKA, in conjunction with the Van Gogh Museum, pays homage to the great postimpressionist painter, on the occasion of the 125th anniversary of his death, with an exclusive work that reveals the most private side of the artistic genius – his drawings.
A unique edition that enables us to appreciate the Dutch painter’s style, expression and individual lines and strokes, it reproduces the complete collection of his sketchbooks that are conserved at the Van Gogh Museum, which has given its full endorsement to this limited, numbered work of 2,998 copies.
The complete collection of the sketchbooks is made up of four artist’s notebooks, which include drafts made by the artist during his life as a painter, and another three, from an earlier stage, which have a mainly didactic purpose.
In addition, the work includes 17 plates from loose pages taken from sketchbooks that did not survive intact, in which the main focus is the colours the artist used for his scenes and landscapes of Paris and Amberes.
The sketchbooks and the plates are presented in a case that has been specially created for this edition, and which features on its front cover a reproduction of a detail from his famous painting Sunflowers. La mirada de Vincent also includes a Study Book, in which leading specialists offer studies and analyses of the artist’s life and work which shed valuable light on one of the best-known and most-admired painters in the history of modern art.
All the different elements in the work can be shown off in a display unit, which offers the user an infinite range of possibilities for displaying and enjoying the sketchbooks, the plates and the Study Book.
When printing the sketchbooks, different reprographics processes have been used to achieve the best possible results, and with the colours perfectly calibrated.
The sketchbooks have been bound and sewn by hand, to recreate all the details of the originals, including the embossing of the pages.
Cardboard covers with spines of fabric, linen and leather – these are just some of the materials selected in order to reproduce the sketchbooks faithfully.
The 17 plates reproduced in facsimile have been embossed to resemble the originals and are fixed to a support using three drops of glue.
The cover of the Study Book, which is lined with dyed fabric, features a screen-printed reproduction of one of the early sketches for the paintingSunflowers.
The Study Book, owing to its size, has been sewn by hand using cotton thread and with the help of an old wood support.
The case features a detail from Sunflowers, which is printed on white fabric and highlights the intensity and tonality of the original painting.
The case is comprised of two trays, designed to protect the sketchbooks, and a separate compartment for the plates and the official certification document.
The solid beech wood display unit includes a display frame with a methacrylate cover and a lectern, which is the base on which the frame stands.
El diseño del marco expositor permite situarlo sobre el atril, sobre una superficie plana o colgarlo en la pared.
The display frame has been designed in such a way that it can stand on the lectern, on a flat surface or hung on the wall.
The lectern has been adapted with a space for holding the sketchbook case and for displaying the Study Book, either open or closed.
(1853-1890) Unbeknownst to him, the Dutch painter became one of the main exponents of post-Impressionism. Essentially self-taught, during the course of his career he produced about 900 works, showing an almost compulsive approach to creation. Nevertheless, the quality of his work was not recognised until after his death, since when he has become one of the great masters of art history. His most private opinions and thoughts are contained in his sketchbooks and the letters he sent to his younger brother Theo, who was a central figure in Vincent’s life.